Showing posts with label 70S SOUL. Show all posts
Showing posts with label 70S SOUL. Show all posts

Sunday, July 15, 2012

DIMITRI FROM PARIS :: COCKTAIL DISCO :: 2007





Dimitri's Cocktail Disco is not your dad's lounge record. Instead what Cocktail Disco has is an eclectic mix of Disco tracks that you probably haven't heard before.

The Cocktail Disco style was called Sleaze back in its’ heyday, from roughly 1976 to 1979. There were even DJs specializing in the Sleaze sound which was usually played after hours, in spots with a strong sex oriented drive.





Cocktail Disco has that ubiquitous 4/4 beat and flying open high hat, complemented by rich orchestrations, campy over the top vocals, and an often tropical latin vibe. Something that wouldn't feel out of place in a broadway musical. The indie label releases usually meant lower producing budgets, which translated in less polished recordings giving the music a rawer, more appealing sound to me.




"Cocktail Disco" a double CD compilation was released in June from UK's BBE label, and available worldwide through the usual channels. The focus is more on the indie and harder to find songs rather than on the major players which have been thouroughly compiled or re-issued.

Wednesday, March 7, 2012

BOULVARD NIGHTS :: VR BIRTHDAY EDITION




Woke up this morning to a firme design from Homeboy "The G-Man"! He definitely captured the vibe on this flier.

Also I'll be celebrating my Birthday March 15, at El Amigo. I hope some of you can make it to the event. Free give aways including these limited edition buttons.


Friday, April 1, 2011

WEBSTER LEWIS



This tune is from Webster Lewis's 8 For The 80's album (1979)
The man has a Master's degree from the New England Conservatory of Music, yet Webster Lewis's best known recordings are his mid/late 70's disco tunes. In my opinion, he is a terrific pianist/keyboardist who should have been able to establish himself in the Jazz genre. Instead he worked in the background in various positions.

The most notable musician he's worked with are Barry White, Michael Jackson, Tom Jones, and Herbie Hancock, to name a few.

WEBSTER LEWIS - GO FOR IT 1979

Wednesday, February 16, 2011

THE RETURN OF THE SOULEROS FAMILY



THE RETURN OF THE SOULEROS


Friday February 18th 5:30 - 10pm


Oldies - Sweet Soul - Harmony - Funk

with very special guests:

The Souleros:

MOSES & THE 10 COMMANDMENTS OF SOUL
MARGARITA THEE NORTHERN SOULERA

and resident selectors:

VINYL RICHIE (Sweater Funk, Hear The Sounds)
AMBASSADOR (Wax Poetics, Gostosa!)


+ SWEATER FUNK DJ's dropping the FUNK


Back together again! The third installment of this bay area meeting of folks that love the sound of O.G. Chicano soul and lowrider oldies on vinyl! Moses and Margarita are some serious collectors AND huge fans of this music and culture that we all love! Lets welcome them back with open arms.


Happy Hour:
Milk Bar (SF)
Free
1840 Haight Street
5:30pm- 10pm
$3 cocktails $3 draft beers

Bus Lines - 7, 71, 6, 33, N Judah Train
Free parking on meters after 6pm


THIS A FREE AND POSITIVE EVENT WITH GOOD VIBES... PLEASE NO SET TRIPPEN.


www.milksf.com
www.hearthesounds.com

VERNON BURCH




Vernon Burch was considered a child prodigy of sorts when he made his performance debut with the Delfonics as a teenager.

Later he moved on to join the reconstituted Bar Kays on their early 70s albums, then bolted for a solo career after their contract with Stax ran out. He did not receive the fame his former band mates would later experience, but the guitarist recorded for United Artists, Columbia and Chocolate City during a six-year period the produced the minor hits "Frame of Mind" and "Give It To Me." Today his reputation is loftier than the chart position of his work, proving again that sales are
no indicator of quality.


VERNON BURCH - MAMA 1978

Saturday, January 29, 2011

AALON :: CREAM CITY




Aalon showed a tremendous amount of promise on its debut album, Cream City, which was among the finest albums of the late 1970s and indicated that lead singer and songwriter Aalon Butler had the potential to develop into someone as important as Sly Stone or George Clinton. His music was soul and funk with rock elements, and the writing is superb on material ranging from the playful title song and the sentimental "Summer Love" to the poignant "Rock and Roll Gangster" and the haunting "Lonely Princess." In fact, Cream City is every bit as strong as the five-star albums that Prince and Rick James would be providing a few years later. But while Cream City's title song enjoyed some airplay on Black stations, the LP was far from the major hit it should have been. One hoped that a second album would make Aalon huge, but regrettably, a second album never came about

AALON - ROCK N ROLL GANGSTER 1977

L.A. BOPPERS



Augie Johnson, a member of Side Effect, formed the Boppers in Los Angeles, CA, in the mid-’70s to back his stylish, knickers-wearing group who had inked with Fantasy Records. The Boppers, consisting of Robert Griffin, Kenny Davis, Ed Riddick, Ed Luna, and Vance Tenort cut their own Fantasy album entitled The Boppers in 1978. Unfortunately, neither it nor single releases “Everybody Wants to be a Star” and “Something Missing” were successful.

They switched to Mercury Records in 1980 and became the L. A. Boppers. The lineup also went through some tinkering and now consisted of Tenort (lead), Gerry Davis, Riddick, Kenny Styles, Michael Stanton, Stan Martin, with Augie Johnson (on loan from Side Effect) also contributing to their sound. The L. A. Boppers (with input from Mikki Howard) dropped on Mercury in 1980; the first single “Is This the Beat (Bop-Doo-Wah)” made the R&B Top 30 and become their most popular single ever. Subsequent releases, the jazzy “Watching Life” and “Be-Bop Dancer,” failed to capture the same audience. A final Mercury album Bop Time (1981) featured an update of the Delfonic’s “La, La Means I Love You.”

A final album on MCA Records Make Mine Bop in 1982 spawned two poor selling singles: “Where Do the Bops Go” b/w “Well Deserved Rest,” and “How Strong Love Can Be” b/w “Dog House.” Disenchanted, they disbanded after MCA failure. Soul/funk/jazz fans worldwide now trumpet their unheralded album cuts including “Give Me Some” and “Funk It Out.” (Andrew Hamilton, AMG)2. Sublime work from this jazzy harmony combo — a really unique group who took older vocal modes and fused them onto tight modern soul grooves! This set may well be the best-ever from the group — a perfectly produced album done with Augie Johnson of At Home Productions — with a warmly sparkling vibe that’s right up there with the best At Home work for Creative Source or Side Effect — both groups who’d be a good comparison to this one! There’s a few upbeat funk numbers that are pretty sweet, but the best cuts are usually the laidback, mellower ones — which really have LA Boppers hitting their stride. Titles include the killer cut “Watching Life” — a smooth mellow groover, and one of their best tracks — plus “Saturday”, “Funk It Out”, “Life Is What You Make It”, “You Did It Good”, “Is This The Best”, and “Are We Wrong”. (DGA, Inc)




L.A. BOPPERS - YOU DID IT GOOD 1980

Tuesday, November 23, 2010

THE CONTROLLERS



Picked up this Sweet 45 a few weeks backs over at Rooky's (SF)

The Controllers are a soul/ R&B vocal group, originally from Birmingham, Alabama, who had a series of successful recordings in the late 1970s and the 1980s.


Originally part of an eight-member gospel group, the group became four by the time they entered junior high school, comprising Reginald McArthur (baritone lead), Ricky Lewis (tenor lead), Larry McArthur and Leonard Brown. Their growing reputation in the Birmingham area led to an introduction to Cleveland Eaton, bassist for the Ramsey Lewis Trio. Under Eaton's guidance "The Soul Controllers" as they were then called, recorded their first single, called "Right On Brother, Right On". It became a regional hit while they were still attending Fairfield High School.

The group came to the attention in 1976 of Juana Records, run by writer/producer/artist Frederick Knight, also from Birmingham. Recording at the famed Malaco studios in Jackson, Mississippi, their first single on Juana, from the album, "In Control" charted, but it was their second release, "Somebody's Gotta Win, Somebody's Gotta Lose", that really established them. The song, a ballad lasting over 8 minutes on the album, climbed to #8 on Billboard's R&B chart and #3 on the Cashbox soul chart in 1977. The group's on-stage performances also helped them to open for renowned artists such as Ray Charles, Nancy Wilson, B.B. King and The Temptations.

A follow-up ballad, "Heaven Is Only A Step Away" climbed to #37 R&B, but despite the release of two more albums on Juana, the group failed to find another major single success.

In 1983, the group signed with San Francisco-based manager, the now late Jimmy Bee, and soon landed a recording contract with MCA Records. Their first release on the label, "Crushed" (which featured Stevie Wonder on harmonica) returned them to the charts, reaching #30 R&B, in 1984 and two years later, "Stay" climbed to #12. Their cover of the Marvin Gaye classic, "Distant Lover" from the same album, "Stay" also proved popular. These hits led to a series of appearances on "Soul Train" and performances at Radio City Music Hall and Carnegie Hall. During this time, the group also performed on MTV, BET's Video Soul and on HBO.

Under the guidance of Jimmy Bee, the Controllers made a move to Capitol Records in 1989 for the cd "Just In Time" which failed to produce any hits but rekindled their popularity among the group's loyal following.

After a break from touring and recording, the four returned in the late 1990s and joined the Malaco label for their self-produced cd album, "Clear View", containing a re-make of Stevie Wonder's "Superstition" and a revised "Somebody's Gotta Win".

The two remaining active Controllers, Leonard Brown (bass) and Reginald McArthur are co-hosts of a syndicated talk show in the southeastern United States, "Inside The Juke Joint", where known artists, writers, arrangers and musicians talk about their careers and lives, then and now.




THE CONTROLLERS - FEELING, A FEELING 1977

Friday, September 3, 2010

RUFUS THOMAS



DO THAT BREAKDOWN, CHILLIN...

Thursday, August 5, 2010

SAVAGE SOUL

Vigon-Baby-Gone!!

You won't see this on 'Aretha's Soul Rewind'





Vigon - Baby Your Time Is My Time
http://www.youtube.com/watch?v=fBX4a9F88JA

Probably the tightest soul/go-go/popcorn video I've ever laid eyes on..this is how its done, the lighting, the outfits, those boots (!) and a walk off into the studio (sun) set. All over a great song that's loop after loop of sick breaks. Dynamite SOUL!




Vigon - Harlem Shuffle
http://www.youtube.com/watch?v=yI6_es6Lkow

this rendition of Harlem Shuffle is sick. Non stop go-go energy and driving beats from this Moroccan French Soul Singer Vigon. Nobody does it like this these days!

Monday, April 19, 2010

LEON WARE




FRESHLY RIPPED, AND READY TO SHARE. LEON WARE IS THE MAN. KILLER 70S SOUL, FOR THE THE DANCE FLOOR. SOME OF THAT FEEL GOOD MUSIC

LEON WARE - WHATS YOUR NAME 1979

TEDDY P




ITS A TEDDY P KINDA DAY!

TEDDY PENDERGRASS - THE MORE I GET, THE MORE I WANT